Sarah Sze, i have followed her installations for years, what i engage is the large scale of working with low cost everyday items and making amazing art from them.

Seamless 1999 has this carnival feeling to it yet at the same time it is a very complex work to make. How Sze goes about her work is intuitive yet she has a definitive process, how els do you construct the vast amount of work she has over the years. Today i am working on my concept map and have been thinking about her complexity yet at the same time seamless has a narative its like a story from a kidds play room. My map and the way i work is spontaneous but it takes me for ever to create. So may be there are some similarities between Sze and my self.